Aesthetics and Politics in the Mexican FilmIndustry

Evaluating a broad selection of Mexican films produced from theearly 1990s to the present, this study examines how production methods, audiencedemographics, and aesthetic approaches have changed throughout the past two decadesand how these changes relate to the country's transitions to a democratic politicalsystem and a free-market economy

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Year of publication:	2013
Authors:	MacLaird, Misha
Publisher:	New York : Palgrave Macmillan
Subject:	Mexiko \| Mexico \| Ästhetik \| Aesthetics

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Extent:	Online-Ressource (245 p)
Series:	Studies of the Americas Studies of the Americas Ser.
Type of publication:	Book / Working Paper
Language:	English
Notes:	Description based upon print version of record Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction Una é poca fatal : An Era of Fatality, Tragic Endings, and New Beginnings; Part I The Politics of Transition; Chapter 1 Industry and Policy: Privatizing a National Cinema; Chapter 2 Audiences and Target Markets: On Spectatorship and Citizenship; Chapter 3 Censorship and Sensationalism: " el neotremendismo autoritario "; Part II The Aesthetics of Transition; Chapter 4 Hyperrealism and Violence: Fatal Aesthetics; Chapter 5 Independence and Innovation: Indie Film and the Youth Market Chapter 6 Coproduction and Transnationalism: National Cinema in a Global MarketConclusion Between Tragedy and Farce: Mexico and Its Cinema Relive History; List of Acronyms; Notes; Bibliography; Index
ISBN:	978-1-137-00806-0 ; 978-1-137-31934-0 ; 978-1-137-00806-0
Source:	ECONIS - Online Catalogue of the ZBW

Persistent link: https://www.econbiz.de/10014275573