Similar Search Results

Is art really a safe haven? : evidence from the French art market during WWI

David, Géraldine - 2014

Persistent link: https://www.econbiz.de/10010419005

Quantifying artistic success : ranking French painters - and paintings - from Impressionism to Cubism

Galenson, David W. - 1999

Persistent link: https://www.econbiz.de/10001425221

The New York School vs. the School of Paris : who really made the most important art after World War II?

Galenson, David W. - 2002

Persistent link: https://www.econbiz.de/10001697097

Quantifying Artistic Success : Ranking French Painters - and Paintings - from Impressionism to Cubism

Galenson, David W. - 1999

For 35 leading painters who lived in France during the first century of modern art, this paper uses textbook …

Persistent link: https://www.econbiz.de/10012471378

Quantifying Artistic Success : Ranking French Painters - and Paintings - from Impressionism to Cubism

Galenson, David W. - 2020

For 35 leading painters who lived in France during the first century of modern art, this paper uses textbook …

Persistent link: https://www.econbiz.de/10012838405

Quantifying Artistic Success : Ranking French Painters - and Paintings - from Impressionism to Cubism

Galenson, David W. - 2021

For 35 leading painters who lived in France during the first century of modern art, this paper uses textbook …

Persistent link: https://www.econbiz.de/10013236688

The New York School vs. the School of Paris : Who Really Made the Most Important Art After World War II?

Galenson, David - 2002

American historians of modern art routinely assume that after World War II New York replaced Paris as the center of the western art world. An analysis of the illustrations in French textbooks shows that French art scholars disagree: they rate Jean Dubuffet as the most important painter of the...

Persistent link: https://www.econbiz.de/10012469560

Monuments on the move : the transfer of French medieval heritage overseas in the early twentieth century

Brugeat, Celine - In: Journal for art market studies 2 (2018) 2, pp. 1-19

Persistent link: https://www.econbiz.de/10011874183

"Invaluable Masterpieces" : the Price of Art at the Musée Napoléon

Savoy, Bénédicte - In: Journal for art market studies 1 (2017) 1, pp. 20-33

Persistent link: https://www.econbiz.de/10011872593

The Hôtel Drouot as the stock exchange for art : Financialization of art auctions in the nineteenth century

Fuchsgruber, Lukas - In: Journal for art market studies 1 (2017) 1, pp. 34-46

Persistent link: https://www.econbiz.de/10011872600

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