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Persistent link: https://www.econbiz.de/10011792098
Creativity is typically thought of in the singular - as an attribute. Creativity and imagination are the most important … ingredients for coping with post-normal times. This paper looks at the way creativity itself is being transformed in ICT sector …. Creativity researchers tend to refer to creativity as an attribute of a person. But it may be a set of multiple attributes. How …
Persistent link: https://www.econbiz.de/10011509215
This paper suggests a way to cluster Ukrainian regions by using economy and creativity-related multiparametric sets so … contribute mainly to the theorisation of comparative regional analysis and to the relationship between the economy and creativity …
Persistent link: https://www.econbiz.de/10014343101
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The cultural and creative industries (e.g., digital/audiovisual content, publishing and print media, etc.) constitute an emerging business sector focused on aligning cultural and creative production with profitability and market criteria that encompasses a diverse range of entities, generates...
Persistent link: https://www.econbiz.de/10012237453
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The paper contributes to the ongoing debate about the relative importance of economic and amenity-related location factors for attracting talents or members of the creative class. While Florida highlights the role of amenities, openness, and tolerance, others instead emphasize the role of...
Persistent link: https://www.econbiz.de/10011303799
creativity and controversies linked to this concept. This essay also indicates the patterns of recommendations and activities in …
Persistent link: https://www.econbiz.de/10010201819
This paper models the migration of the Creative Class (Florida, 2003) in a New-Economic-Geography framework. Beside wage differentials, urban cultural amenities play an important role on the choice of location. A public cultural good, financed by taxes, is introduced as an agglomeration force....
Persistent link: https://www.econbiz.de/10011441482
Creative industries are highly concentrated forming clusters. One of the main problems for the identification of clusters of creative industries in Europe is the lack of data, constrained in practice to regions (NUTS 2) and influenced by the heterogeneity in the definition of NUTS across...
Persistent link: https://www.econbiz.de/10011546913