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Market failure is a slippery economic term, covering instances where markets are inefficient or missing altogether, i.e. the consumer pays over the odds or cannot obtain a desirable good. Bärwolff argues convincingly that a combination of intellectual property rights and contractual licensing...
Persistent link: https://www.econbiz.de/10009429671
A formal definition of cultural industries is developed following four distinct features of cultural goods: (a) oversupply, (b) quality uncertainty, (c) network effects and (d) demand reversal. Drawing on economic and socio-psychological notions of ‘network’, increasing returns and social...
Persistent link: https://www.econbiz.de/10009429796
Escalating social practices spread dynamically, as they take hold. They are self fulfilling and contagious. This article examines two central social practices, trust and corruption, which may be characterized as alternative economic lubricants. Corruption can be a considerable instrument of...
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This article reports the results of a major study, conducted between 1996 and 1999, examining the impact of de-regulation and digital technologies on the global music industry. We analyse four negotiations in the process of bringing music to the world market: commodification, globalisation,...
Persistent link: https://www.econbiz.de/10009188540
Several of the authors question the efficacy of copyright, which is increasingly regarded as benefiting multinational organisations rather than individual authors and performers. Others are less critical of copyright per se, but question its ability to meet the new challenges of a digital era....
Persistent link: https://www.econbiz.de/10011146705
Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique...
Persistent link: https://www.econbiz.de/10011173084
Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique...
Persistent link: https://www.econbiz.de/10011181982