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In this paper we study the impact of a radical technological innovation on business models. Do firms react by adjusting their business models incrementally, through iterative steps? Or do such innovations lead, instead, to a big bang of new innovative business models that are all adopted and...
Persistent link: https://www.econbiz.de/10010970852
In this paper, we use data from a survey of 151 French record companies to test the “long-tail” hypothesis at the level of the firm. More specifically, we test whether, following the “selling less of more” principle coined by Anderson (<CitationRef CitationID="CR2">2006</CitationRef>), record companies that have adapted to...</citationref>
Persistent link: https://www.econbiz.de/10010989654
Persistent link: https://www.econbiz.de/10009784911
Persistent link: https://www.econbiz.de/10010152367
In this paper we study the impact of a radical technological innovation on business models. Do firms react by adjusting their business models incrementally, through iterative steps? Or do such innovations lead, instead, to a big bang of new innovative business models that are all adopted and...
Persistent link: https://www.econbiz.de/10014040958
In this paper we use data from a survey of 151 French record companies to test the “long tail theory” at the level of the firm. More specifically, we test whether, following the “selling less of more” principle coined by Anderson (2006), record companies that have adapted to digitization...
Persistent link: https://www.econbiz.de/10014041412
In this paper, we provide scenarios of evolution for the recorded music industry. These scenarios are based on two dimensions. First, we identify two strategies of revenue extraction in a digital world: either through the sale of content, which requires a direct or indirect protection of music...
Persistent link: https://www.econbiz.de/10014220385
In this paper we propose a model which shows that the impact of copyright infringement on music artists depends on the type of revenue that they receive (royalties from record companies, profits for self-released artists, revenues from live concerts). We then test the hypotheses derived from the...
Persistent link: https://www.econbiz.de/10011241795
L'industrie musicale est en crise alors que dans le même temps la consommation de musique ne s'est jamais aussi bien portée. Ces difficultés ont conduit à des politiques publiques défensives, concentrées sur la protection de la filière musicale contre le piratage. Pourtant l'impact du...
Persistent link: https://www.econbiz.de/10008876171
Using a survey on cultural habits and consumption behavior of 2,000 individuals, we study the determinants of physical purchases and pay-downloads in four cultural industries: books, recorded music, movies, and video games. We show that the impact of piracy on legal purchases differs among these...
Persistent link: https://www.econbiz.de/10011187957