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From a comprehensive database of monthly sales of comic books and literature books in France over the period 2003 to 2007, we show that (i) bestsellers got smaller market shares online than offline, contrary to medium- and low-sellers; (ii) both online and offline sales shift from the head of...
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The emergence of online providers aggregating illegal content from streaming platforms is rekindling the debate about online piracy. In the past, the discussion mainly focused on the impact of piracy in content industries and the effect of anti-piracy measures. But little is known about one...
Persistent link: https://www.econbiz.de/10012179835
The emergence of online providers aggregating illegal content from streaming platforms is rekindling the debate about online piracy. In the past, the discussion mainly focused on the impact of piracy in content industries and the effect of anti-piracy measures. But little is known about one...
Persistent link: https://www.econbiz.de/10012157306
In cultural industries, the fear of large-country hegemon has been revived with the growth of subscription services (such as Netflix, Spotify or Apple Music) and the concentration of these markets. The aim of this paper is to provide evidence on this issue from music streaming consumption. Using...
Persistent link: https://www.econbiz.de/10014347141
The emergence of online providers aggregating illegal content from streaming platforms is rekindling the debate about online piracy. In the past, the discussion mainly focused on the impact of piracy in content industries and the effect of anti-piracy measures. But little is known about one...
Persistent link: https://www.econbiz.de/10012843425
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The success of streaming services seemed to mark the end of the two-decade-long debate about online piracy. However, the emergence of new websites aggregating and distributing illegally content from multiple streaming platforms rekindled the debate. In this paper, we are interested in...
Persistent link: https://www.econbiz.de/10014263347
From a representative survey of 2,000 individuals, we study whether consumption of music through streaming services, like Spotify or YouTube, is a substitute or a complement to physical music consumption modes, such as CDs and live music. Controlling for the taste for music, various...
Persistent link: https://www.econbiz.de/10011155217