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Convergencia real en Centroamérica: evidencia empírica para el período 1990-2005

Vicente, Guillermo Vázquez - HAL - 2010

Este artículo confirma que a lo largo del periodo 1990-2005 no existe evidencia de convergencia de los niveles de renta per cápita entre los países del Subsistema de Integración Económica Centroamericana. Se han realizado diversos contrastes de convergencia beta, sigma y gamma, y en ninguno...

Persistent link: https://www.econbiz.de/10008789083

Struktur und Entwicklung der Musikwirtschaft

Hummel, Marlies - In: Ifo Schnelldienst 44 (1991) 01/02, pp. 16-25

Die Studie untersucht, inwieweit die Potentiale der Musikwirtschaft in der Bundesrepublik Deutschland in höhere Umsätze … verkauft. Die gesamte Nachfrage nach Gütern und Dienstleistungen der Musikwirtschaft wird in den nächsten Jahren wesentlich … an Freizeit sowie 4. die Vereinigung Deutschlands und den EG-Binnenmarkt. Insgesamt gesehen kann für die Musikwirtschaft …

Persistent link: https://www.econbiz.de/10005013546

Wirtschaftliche Entwicklungstrends von Kunst und Kultur

Hummel, Marlies; Waldkircher, Cornelia - In: Ifo Schnelldienst 45 (1992) 03, pp. 19-32

Die Entwicklungstrends des Kulturbereichs entfalten sich spannungsreich. Die marktorientierten Bereiche befinden sich im Umbruch. Presse- und Zeitschriftenverlage weiten ihre Aktivitäten im Kampf um Publikum und Werbekunden in das Rundfunksystem aus, die öffentlich-rechtlichen Anstalten...

Persistent link: https://www.econbiz.de/10005056124

Musikinstrumentenbau hoch spezialisiert

Breitenacher, Michael - In: Ifo Schnelldienst 43 (1990) 29, pp. 19-25

Der Musikinstrumentenbau in der Bundesrepublik Deutschland ist durch eine ausgesprochen handwerkliche und mittelständische Struktur charakterisiert. Die Stärke dieser Unternehmen liegt darin, daß sie spezielle Marktsegmente bedienen und sich auf die Herstellung hochwertiger Instrumente...

Persistent link: https://www.econbiz.de/10005056127

TECHNOLOGICAL CHANGE WITHIN HIERARCHIES: THE CASE OF THE MUSIC INDUSTRY

Funk, Jeffrey - In: Economics of Innovation and New Technology 16 (2007) 1, pp. 1-16

This article uses the music industry to demonstrate a model of technological change that explains the sources and timing of technological discontinuities and dominant designs. The process by which firms translate customer needs into products can be represented in terms of an interaction between...

Persistent link: https://www.econbiz.de/10005484607

Rents, Rights N'Rhythm: Cooperation, Conflict and Capabilities in the Music Industry

Andersen, Birgitte; Kozul-Wright, Richard; … - In: Industry and Innovation 14 (2007) 5, pp. 513-540

The need for better informed copyright policy and management is a huge problem because of the enormous and growing size and scope of the creative industries. In this paper we challenge the prevailing thinking dominating the theoretical literature on the economics of copyrights. By integrating...

Persistent link: https://www.econbiz.de/10005495836

The Social Construction of Napster

Spitz, David; Hunter, Starling - Sloan School of Management, Massachusetts Institute of … - 2004

This paper attempts to unpack a few of the vast array of assumptions implicit in how "the technology" known as Napster was understood by several of its key constituencies. Our approach examines discourse about Napster in several areas - legal, economic, social, and cultural. This approach...

Persistent link: https://www.econbiz.de/10005458593

The Impact of Digital File Sharing on the Music Industry: An Empirical Analysis

Michel, Norbert - In: Topics in Economic Analysis & Policy 6 (2006) 1, pp. 1549-1549

The first file-sharing software, Napster, was shut down in 2001, but the copying technology's impact on the music industry is still passionately debated. This paper uses micro-level data from the Consumer Expenditure Survey to examine the impact of Internet file sharing on music sales. Music...

Persistent link: https://www.econbiz.de/10005459013

Time spent on New Songs: Word-of-Mouth and Price Effects on Teenager Consumption

Berlin, Noémi; Bernard, Anna; Fürst, Guillaume - Centre d'Économie de la Sorbonne, Université Paris 1 … - 2015

The stardom system characterizes creative industries: the demand and revenues are concentrated on a few bestselling books, movies or music. In this paper, we study the demand structure between bestsellers and new artists' productions in the music industry. We set up an experiment where...

Persistent link: https://www.econbiz.de/10011268212

Piracy and creation: the case of the music industry

Bacache-Beauvallet, Maya; Bourreau, Marc; Moreau, François - In: European Journal of Law and Economics 39 (2015) 2, pp. 245-262

In this paper we propose a model which shows that the impact of copyright infringement on music artists depends on the type of revenue that they receive (royalties from record companies, profits for self-released artists, revenues from live concerts). We then test the hypotheses derived from the...

Persistent link: https://www.econbiz.de/10011241795