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Purpose – To introduce the presumed cultural similarity paradox as a possible explanation for the findings that adjusting to a culturally similar country is just as difficult as adjusting to a culturally dissimilar country. We provide a conceptual framework, enabling further understanding and...
Persistent link: https://www.econbiz.de/10010814647
Wir untersuchen die Determinanten der regionalen sektoralen Konzentration filmbezogener Dienstleistungen (wie Kameraverleih, Castingagenturen oder Pyrotechnik). Unser Hauptinteresse gilt dabei der Humankapitalspezifität, die auf zwei einander entgegengesetzte Weisen die Standortwahl...
Persistent link: https://www.econbiz.de/10010994645
, “Kinopoisk” rating, number of views, film duration, genre) in dynamics and examine their linkages. We also compare the Russian … market for national and foreign films. Then, we discuss basic characteristics across film directors and genres …
Persistent link: https://www.econbiz.de/10011258807
Scott A. J. (2002) A new map of Hollywood: the production and distribution of American motion pictures, Reg. Studies 36, 957-975. In this paper, I offer a reinterpretation of the economic geography of the so-called new Hollywood. The argument proceeds in six main stages. First, I briefly examine...
Persistent link: https://www.econbiz.de/10005452562
. Using data on weekly and cumulative film revenues, we find strong evidence of increasing returns to info rmation as …
Persistent link: https://www.econbiz.de/10011140913
decreased. There is no evidence that box-office success in the United States creates a contagion that spreads to other film …
Persistent link: https://www.econbiz.de/10011140914
analyse a subsample of our data for which Film Finance Corporation funding information is available and find that government …
Persistent link: https://www.econbiz.de/10011140917
В статье рассматривается роль интеллектуальной собственности. Анализируется состояние рынка анимационных произведений, перспективы развития, а также...
Persistent link: https://www.econbiz.de/10011221110
We examine the rate of motion-picture piracy across a sample of 26 diverse countries. The level of piracy is explained empirically by the level of income, the cost of enforcing property rights, the level of collectivism present in a country's social institution and the level of internet usage....
Persistent link: https://www.econbiz.de/10010930479
better but less popular films? How important is a big opening to the revenue a film eventually earns? This paper develops a …
Persistent link: https://www.econbiz.de/10010930482