Showing 1 - 10 of 23
It is estimated that only 5% of musicians in Italy are regularly employed. In an attempt at understanding such a peculiar situation, we build a theoretical model of the musicians' labour market in which we embed the main institutional features of the Italian system. We notice how the presence of...
Persistent link: https://www.econbiz.de/10003883019
Chung and Cox (1994) provided an intuitively appealing stochastic model which indicates that superstars may exist regardless of talent and which gives rise to the Yule distribution. We adopt a different empirical approach and test its goodness-of-fit using a parametric bootstrap and several...
Persistent link: https://www.econbiz.de/10003451505
This paper analyses the perverse effects that the inefficiency of the artistic chain of the cultural industry has on art consumption, which is due to the fact that the schools have been forced to accept an 'official' model of use that is hostile to the modus operandi of art - a relativistic,...
Persistent link: https://www.econbiz.de/10012724254
In order to investigate the role of immigrant artists on the development of artistic clusters in U.S. cities, we use the U.S. Census and American Community Survey, collected every 10 years since 1850. We identify artists and art teachers, authors, musicians and music teachers, actors and...
Persistent link: https://www.econbiz.de/10012850034
This paper uses information cascades theory to analyze the art market. It focus on the art stars, explaining the phenomenon that in the art market a small fraction of artists accounts for most of the trade and dominate the financial activity. We analyze fine art auction data. In particular, we...
Persistent link: https://www.econbiz.de/10012857095
Objective: The objective of the article is to understand the changes in artists’ identity facing the global obstacle caused by the Covid-19 pandemic and the impact of the identity crisis into the shift towards entrepreneurial behaviours. Creative individuals seems to be perfect examples of...
Persistent link: https://www.econbiz.de/10012520240
We provide evidence that culture is a source of pricing bias. In a sample of 1.9 million auction transactions in 49 countries, paintings by female artists sell at an unconditional discount of 42.1%. The gender discount increases with measures of country-level gender inequality — even in artist...
Persistent link: https://www.econbiz.de/10012520374
This research illuminates the historical development and clustering of creative activity in the United States. Census data is used to identify creative occupations (i.e., artists, musicians, authors, actors) and data on prominent creatives, as listed in a comprehensive biographical compendium....
Persistent link: https://www.econbiz.de/10013240448
This article analyzes the role that crowdfunding plays for artists who create small-scale projects. We find that artists struggle to reach new audiences and, thus, mainly use this funding tool to transform monetary gifts into reputation for their careers. Crowdfunding platforms are believed to...
Persistent link: https://www.econbiz.de/10013245976
This paper analysis the global distribution of art collections and collectors' biases with respect to the origin of artworks. Employing a unique dataset we find that the greatest number of private art collections are located in Europe, North America and Asia. There are relatively few collections...
Persistent link: https://www.econbiz.de/10010208478