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Transaction costs and partnerships : the case of rock bands

Cameron, Samuel - In: Journal of economic behavior & organization : JEBO 32 (1997) 2, pp. 171-183

Persistent link: https://www.econbiz.de/10001226345

The political economy of gender disparity in musical markets

Cameron, Samuel - In: Cambridge journal of economics 27 (2003) 6, pp. 905-917

Persistent link: https://www.econbiz.de/10001823119

Rock, pop and judicial efficiency : economic considerations in the Spandau ballet decisions

Cameron, Samuel - In: Journal of interdisciplinary economics 17 (2006) 3, pp. 327-344

Persistent link: https://www.econbiz.de/10003359890

Music in the marketplace : a social economics approach

Cameron, Samuel - 2015

Persistent link: https://www.econbiz.de/10010505265

The economics of music

Cameron, Samuel (ed.) - 2018

Recommended readings (Machine generated): 1. Storm Gloor (2011), 'Just How Long Is Your 'Fifteen Minutes'? An Empirical Analysis of Artists' Time on the Popular Charts', Journal of the Music and Entertainment Industry Educators Association, 11 (1), 61-82 -- 2. David E. Giles (2007), 'Survival of...

Persistent link: https://www.econbiz.de/10012251706

The economics of music

Cameron, Samuel (ed.) - 2018

Persistent link: https://www.econbiz.de/10011998046

Sailing in the same ship? : Differences in factors motivating piracy of music and movie content

Cox, Joe; Collins, Alan - In: Journal of behavioral and experimental economics 50 (2014), pp. 70-76

Persistent link: https://www.econbiz.de/10010489170

Music in the marketplace : a social economics approach

Cameron, Samuel. - 2015

1. Introduction -- 2. Adele-o-nomics -- 3. The never ending death of music -- 4. Does anyone know anything about anything? -- 5. The production and supply of music -- 6. Consumption of music -- 7. Age -- 8. Gender -- 9. Race and ethnicity -- 10. International trade -- 11. Conclusion.

Persistent link: https://www.econbiz.de/10013183443