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Png, Ivan P. L.; Wang, Qiu-Hong - 2006

At various dates between 1991-2002, nineteen OECD countries extended the duration of copyright, typically from the author's life plus 50 years to author's life plus 70 years. We study the impact of the extensions on the production of movies. We find that the extensions were associated with an...

Persistent link: https://www.econbiz.de/10014055674

Machine Learning Models Under the Copyright Microscope : Is EU Copyright Fit for Purpose?

González Otero, Begoña - 2020

This paper is based on a presentation given in December 2019 at the Lund’s University conference "Artificial Intelligence (AI), Data Protection and Intellectual Property in a European context". The purpose of this article is to analyse the suitability of the copyright system over the so-called...

Persistent link: https://www.econbiz.de/10014090105

Intermediary liability and trade in follow-on innovation

Cuntz, Alexander; Sahli, Matthias - 2021

Liability rules affect the incentives of intermediaries to disseminate and curate creative works, in particular when works build on the work of predecessors and they are potentially infringing copyright. In an application to the visual arts, we show that appropriation artists borrow images from...

Persistent link: https://www.econbiz.de/10012662496

Some Optimism About Fair Use and Copyright Law

Madison, Michael J. - 2010

practices approach and social processes of innovation and creativity …

Persistent link: https://www.econbiz.de/10014194488

Innovation, Creativity and Law

Kingston, William - 1990

Innovatory Initiatives -- VIII Creativity in Innovation and Law. … contact with it, and my initial interest in the subject was in terms of the way in which it expressed human creativity … case criticised by experts. Just as the first book set economic innovation in a wider context of creativity, the present …

Persistent link: https://www.econbiz.de/10013519631

Intermediary liability and trade in follow‑on innovation

Cuntz, Alexander; Sahli, Matthias - In: Journal of cultural economics 48 (2024) 1, pp. 1-42

Persistent link: https://www.econbiz.de/10014502204

Remix rights and negotiations over the use of copy-protected works

Gans, Joshua - 2014

Persistent link: https://www.econbiz.de/10010396214

How Far Can Copyright Be Stretched? Framing the Debate on Whether New and Different Forms of Creativity Can Be Protected

Bonadio, Enrico - 2019

This paper expands on whether copyright protection may be available for certain new and non-conventional works as diverse as graffiti, sports movements, dj-sets, culinary presentations, jokes, magic tricks, works created by artificial intelligence and engineered DNA. The potential expansion of...

Persistent link: https://www.econbiz.de/10012858552

The Cost of Copyright Revisited : Identifying Competition Effects in Small Markets

Heald, Paul J. - 2022

A growing number of empirical studies measure how extended copyright terms negatively affect the number of book titles in print. Many of these same studies also demonstrate significant differences in the pricing of bound volumes, ebooks, and audio books editions of public domain and copyrighted...

Persistent link: https://www.econbiz.de/10013291962

A Social Justice Perspective on Intellectual Property Protection for Folk Music

Jamar, Steven D.; Mtima, Lateef - 2022

This chapter explores IP protectability of what may be broadly termed “folk music,” though, that is a term fraught with ambiguity, from an intellectual property social justice (IP-SJ) framework. Our IP-SJ approach helps illuminate how IP law and administration affect opportunities for...

Persistent link: https://www.econbiz.de/10013316080