Moderne Technologien machen es den Nutzern möglich, sehr viel mehr urheberrechtlich geschützte Güter zu kopieren und weiterzugeben, als dies noch vor 50 Jahren der Fall war. Das Urheberrecht kann die Rechteinhaber derzeit nicht effektiv schützen. Es müsste gründlich reformiert werden, um...

Copyright requires us to distinguish between two different ways of transforming a “work of authorship”: “derivative works” and “transformative fair uses.” The absence of a clear line results in a tendency to assign all value arising proximately from a work to copyright owners. Many...

Since the Federal Circuit’s 2007 In re Bilski decision and the Supreme Court’s 2008 Bilski v. Kappos decision, patent law’s subject-matter eligibility standard under 35 U.S.C. § 101 has been uncertain. This paper posits patent law's patent-ineligible abstract ideas are science concepts...

The United States has gone from a net – and frequently illegal – importer of intellectual property (IP) to the World’s biggest IP supplier in a historically short time. During the past quarter century, IP holders have teamed with government entities to support international initiatives and...

This chapter provides a comprehensive survey of the burgeoning literature on the law and economics of intellectual property. It is organized around the two principal objectives of intellectual property law: promoting innovation and aesthetic creativity (focusing on patent, trade secret, and...

This paper reviews and compares patent pools, intellectual property clearinghouses and copyright collectives as alternative systems for promoting efficient access to licensable intellectual property in a 'market for technology' (Arora et al 2001). These systems aid downstream use of innovations...

In the platform age, copyright-protected contents are primarily disseminated over the internet. This model poses various challenges to the copyright regime that was mainly designed in and for the analog age. One of these challenges is related to the fair balance between the interests of...

Illegal downloading of copyright materials by end-users had its heyday in the early 2000s, with music, television, and film studios desperately searching for a way to curb the tide of sharing. This chapter uses the example of Capitol Records v Jammie Thomas-Rasset, the first file-sharing case to...