In this paper, we study oligopolistic competition between closed and open source softwares. By intersecting existing economic contributions on open source, we propose a two stage game with perfect information and product differetiation in which producers firstly set softwares quality, then they...

In this guide, we discuss the impact of digitalization on the music industry. We rely on market and survey data at the international level as well as expert statements from the industry. The guide investigates recent developments in legal and technological protection of digital music and...

Why do people who normally refrain from committing illegalities become digital pirates? In this paper we use a theoretical model of digital piracy combined with a game-theoretic mechanism of social norm formation to argue that no social stigma is attached to digital piracy because the latter has...

We apply the property rights theory of Grossman-Hart-Moore in the music industry and study the optimal allocation of copyright between the artists who create music and the labels who promote and distribute it. Digital technology opens up a role for new intermediaries. We find that entry of...

The market for copyrights is characterised by a highly skewed distribution of profits: very few movies, books and songs generate huge profits, whereas the great bulk barely manages to recover production cost. At the moment when the owner of intellectual property grants a licence ('ex ante'),...

This examination of the role and potential for replication in economics points out the paucity of both pure replication checking on others' published papers using their data and scientific replication using data representing different populations in one's own work or in a Comment. Several...

Der Richtlinienentwurf der EU-Kommission zur europaweiten Einführung eines Folgerechts auf Kunstwerke ist dazu gedacht, die öknomische Lage junger Künstler zu verbessern. Eine einfache preistheoretische Überlegung zeigt jedoch, daß dieses Ziel verfehlt werden dürfte. Außerdem analysiert...

According to a new European Union directive, artists, whose works are resold, are entitled to a share of the sales price. The principal aim of this initiative is to let the artists participate in the economic success of their work. Our analysis shows that the new directive is most likely to...

Der Beitrag zeigt die ökonomischen Wirkungen einer neuen EU-Richtlinie zur Einführung eines europaweiten Folgerechts auf. Das Lebenseinkommen junger, unbekannter Künstler dürfte eher sinken als steigen. Doch selbst wenn es steigen würde, wäre noch nicht sichergestellt, daß dies den NUtzen...