"Le monde du spectacle vivant est marqué en France par une forte diversité des créations artistiques. Leur production augmente à un rythme bien plus soutenu que les capacités de diffusion et d'appropriation par les publics. Cet ouvrage propose de croiser les approches économiques et...

Manager-ruled organisations are supposed to be less innovative than artist-ruled ones. However in France from 1995 to 1997, the managers of ‘scénes nationales’, who are not usually directors, are more open to lively playwrights than the ‘managers-cum-directors’ of national theatres and...

The second edition of this widely acclaimed and extensively cited collection of original contributions by specialist authors reflects changes in the field of cultural economics over the last eight years. Thoroughly revised chapters alongside new topics and contributors bring the Handbook up to...

Regression models often reveal a low statistical significance for the quality variables that are used to explain theatrical demand. I posit that opposing opinions on quality are the cause of this. A regression equation is constructed in order to explain demand, with continuous variables for...

The standard deviation, the Gini coefficient, entropy measures and Atkinson's indexes are used to study French regional inequalities for per capita subsidies to the performing arts, as compared to GDP per worker, from 1992 to 2002. The two former indexes are more sensitive to transfers around...