Focuses on different regions (including China, Russia, India, and Japan) as well as different institutions and organizations to examine barriers to and effects of globalization on the art market's organizational dynamics and people within the art industry

Economic Disruption and the Monetisation of French Collections -- Samuel Courtauld as Private Collector and Public Donor -- Albert Barnes as Currency Opportunist and 'Visionary Art Educator' -- Kojiro Matsukata and the Economics of Rodin in Japan -- Institutional Inertia and the National Gallery...