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The commercial methods and transactional processes of the art market contravene in almost every way the free market principles and investment assumptions and patterns core to modern global finance. What Noah Horowitz calls the art market’s "anti-speculative vehemence" is intimately allied to...
Persistent link: https://www.econbiz.de/10011646698
Statistical methods are widely used for valuation (prediction of the value at sale or auction) of a unique object such as a work of art. The usual approach is estimation of a hedonic model for objects of a given class, such as paintings from a particular school or period, or in the context of...
Persistent link: https://www.econbiz.de/10011995229
We analyze the Paris art market between the government-controlled Salon as a centralized organization of art exhibition and the system liberalized by the Republican government based on competition between independent exhibitions. The jury of the old Salon decided on submissions with a bias...
Persistent link: https://www.econbiz.de/10012060641
While record-making prices at art auctions receive headline news coverage, artists typically do not receive any direct proceeds from those sales. Early-stage creative work in any field is perennially difficult to value, but the valuation, reward, and incentivization for artistic labor are...
Persistent link: https://www.econbiz.de/10011903845
The dynamics of the art market is usually presented using price perspective, price indexes for the market and financial returns. In this paper the value and volume approach is proposed, that haven't been considered in aggregative way for a longer period of time in the literature. The...
Persistent link: https://www.econbiz.de/10012232503
We study return rates on art investment using a complete dataset on repeated sales for Old Master Paintings, Modern art and Contemporary art auctioned worldwide at Christie's and Sotheby's from 2000 to 2018. We show that return rates do not depend systematically on past prices or the place of...
Persistent link: https://www.econbiz.de/10012651852
During World War II, the art market experienced a massive boom in occupied countries. The discretion, the inflation proof character, the absence of market intervention and the possibility to resell artworks abroad have been suggested to explain why investing in artworks was one of the most...
Persistent link: https://www.econbiz.de/10012669362
The record-breaking prices observed in the art market over the last three years raise the question of whether we are experiencing a speculative bubble. Given the difficulty to determine the fundamental value of artworks, we apply a right-tailed unit root test with forward recursive regressions...
Persistent link: https://www.econbiz.de/10010427015
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