This chapter explores IP protectability of what may be broadly termed “folk music,” though, that is a term fraught with ambiguity, from an intellectual property social justice (IP-SJ) framework. Our IP-SJ approach helps illuminate how IP law and administration affect opportunities for...

In copyright, we are guided by a simple intuition: More revenue leads to more original works. But the relationship between revenue and creative output is not so simple. Broadening copyright in order to increase the revenue associated with any given work may ensure the expected profitability, and...

In this Article, we provide a blueprint for personalizing copyright law in order to reduce the deadweight loss that stems from its universal application to all users, including those who would not have paid for it. We demonstrate how big data can help identify inframarginal users, who would not...

In the British Academy of Songwriters, Composers and Authors (BASCA) and others v Secretary of State for Business, Innovation and Skills case, the High Court of Justice in matter of private copy exception provides the twofold prime opportunity to shed light on the state of the art of copyright...

The Municipal Court of Appeals has confirmed that the parody defence is unavailable under Hungarian copyright law due to the lack of an express statutory recognition. This case report analyses the content and the practical significance of the "Superman/Strawman" ruling

This article briefly describes the legal position in Australia prior to the Ice decision. It then explains the nature of the changes to that position as a consequence of the Ice decision. After dealing with the Ice decision, the recent first-instance decision in Phone Directories will be considered

In June and October 2009, the French parliament passed controversial copyright laws aimed at deterring internet piracy. The laws establish a new anti-piracy scheme known, in France, as the graduated response and, in the US and other English-speaking countries, as “three strikes and you’re...