Music Business and the Experience Economy : The Australasian Case
edited by Peter Tschmuck, Philip L. Pearce, Steven Campbell
| Year of publication: |
2013
|
|---|---|
| Authors: | Tschmuck, Peter |
| Other Persons: | Pearce, Philip L. (contributor) ; Campbell, Steven (contributor) |
| Publisher: |
Berlin : Springer |
| Subject: | Musikwirtschaft | Music industry | Australien | Australia |
| Description of contents: | Description [deposit.dnb.de] |
| Extent: | Online-Ressource (IX, 229 p. 29 illus, digital) |
|---|---|
| Series: | |
| Type of publication: | Book / Working Paper |
| Type of publication (narrower categories): | Aufsatzsammlung |
| Language: | English |
| Notes: | Description based upon print version of record Music Business and the Experience Economy; The Australasian Case; Preface; Contents; List of Contributors; From Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy; 1 Introduction; 2 An Analogy; 3 Enabling Conditions; 4 The Components of the Music Experience; 5 The Link to Business; 6 Synthesis; References; Australian Copyright Regimes and Political Economy of Music; 1 Context; 2 Platemakers, Common Good, and the One Percent Cap; 3 Creative Serfdom and the Compulsory License; 4 The International Context of Australian Copyright Law 5 Political Economy of Music and the ``Unproductive´´ Producer6 The 2012 Decision and Some Conclusions; References; New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait; 1 Introduction; 2 Overview of Past Indigenous Music and Musicians; 3 Aboriginal Country Music; 4 North Queensland and Torres Strait Contemporary Music; 5 Current Practices of Indigenous Music and Musicians; 6 Case Studies of Indigenous Music and Musicians; 6.1 Ronald `Tonky´ Logan; 6.2 Henry Gibson Dan, Also Known as `Seaman´ Dan; 6.3 David Hudson; 6.4 Christine Anu 7 A Comparison of Case Studies8 Conclusion; References; Australian Independent Music and the Experience Economy; 1 A Shifting Focus; 2 The Experience Economy and Australian Indie Music; 3 Four Dimensions of Independent Music Within the Experience Economy; 3.1 The Musical Dimension; 3.1.1 Musicianship; 3.1.2 Style and Genre; 3.1.3 Music Technologies; 3.1.4 Lyrics; 3.2 The Sociological Dimension; 3.2.1 Opposition, Differentiation and Authenticity; 3.2.2 Eclecticism, Social Affiliations and Fashion; 3.3 The Sensorial Dimension; 3.3.1 Live Performance and Australian Music Venues 3.3.2 Live Performance and the Music Festival Experience3.3.3 Recording and Australian Indie Labels; 3.3.4 Radio; 3.4 The Digital Dimension; 4 Conclusion; References; Recorded Music Sales and Music Licencing in Australia, 2000-2011; 1 Introduction; 2 The Australian Market for Physical and Digital Music Sales; 2.1 The Sales Slump of CD Sales; 2.2 Can Music File Sharing Be Blamed for the Sales Slump?; 2.3 The Digital Music Market in Australia; 3 The Market for Music Licencing by Collecting Societies in Australia; 3.1 The Revenue Streams for APRA/AMCOS, 2000-2011 3.2 The Australasian Performing Rights Association Ltd. (APRA)3.3 The Australasian Mechanical Copyright Owners´ Society Ltd. (AMCOS); 3.4 The Phonographic Performance Company of Australia Ltd. (PPCA); 3.5 The Three Australian Music Collecting Societies in a Longterm Comparison; 4 Conclusion; References; P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?; 1 Introduction; 2 Digital Piracy in Australia: The Current State-of-Play; 2.1 Diminished Sales and Lost Jobs?; 2.2 Court Cases and ISPs; 2.3 Declining Music Sales; 2.4 Attitudes of Consumers 3 The Economics of File-Sharing |
| ISBN: | 978-3-642-27898-3 ; 978-3-642-27897-6 |
| Other identifiers: | 10.1007/978-3-642-27898-3 [DOI] |
| Source: | ECONIS - Online Catalogue of the ZBW |
Persistent link: https://www.econbiz.de/10014016607