The disruptive nature of digitization : the case of the recorded music industry
Year of publication: |
2013
|
---|---|
Authors: | Moreau, François |
Published in: |
International journal of arts management. - Montréal : Ecole, ISSN 1480-8986, ZDB-ID 2105595-6. - Vol. 15.2012/13, 2, p. 18-31
|
Subject: | Digitale Musik | Digital music | Technischer Fortschritt | Technological change | Geschäftsmodell | Business model | Organisatorischer Wandel | Organizational change | Musikproduktion | Music production | Welt | World |
Description of contents: |
-- Cultural networking ; museum ; art management and strategy
|
-
Transformation of the industry in a brand new normal : media, music, and performing arts
Tetik, Tuna, (2022)
-
Boulevard du stream : du MP3 à Deezer, la musique libérée
Fanen, Sophian, (2017)
-
Streaming reaches flood stage : does spotify stimulate or depress music sales?
Aguiar, Luis, (2015)
- More ...
-
The Convergence between Content and Access: Internalizing the Market Complementarity
Curien, Nicolas, (2007)
-
Recent or Free? An Experimental Study of the Motivations for Pirating Movies
Bourreau, Marc, (2019)
-
Does digitization lead to the homogenization of cultural content?
Bourreau, Marc, (2021)
- More ...