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Traffic Jam on the Music Highway: Is it a Reproduction or a Performance?
Einhorn, Michael A.; Kurlantzick, Lewis - In: Review of Network Economics 2 (2003) 1, pp. 10-28
The American copyright system separately protects the sounds in music recordings and the words and music of the …
Persistent link: https://www.econbiz.de/10005432471
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Music licensing in the digital age
Einhorn, Michael A. - In: Copyright in the cultural industries, (pp. 165-177). 2002
Persistent link: https://www.econbiz.de/10003396225
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Damage Valuation in Music Copyright
Einhorn, Michael A. - 2014
techniques in a number of litigation matters involving prominent record labels, music publishers, performers, and songwriters …
Persistent link: https://www.econbiz.de/10014195034
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Transactions Costs and Administered Markets : License Contracts for Music Performance Rights
Einhorn, Michael A. - 2014
Performance rights organizations (PROs) provide transactional efficiency for music users and copyright owners by …
Persistent link: https://www.econbiz.de/10014217445
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Gorillas in Our Midst : Searching for King Kong in the Music Jungle
Einhorn, Michael A. - 2014
ability of institutions to reshape contracts and make music production and distribution more profitable. The respective … quandaries: 1. The center of the music industry will move from the sale of the compact disc/digital track to the integrated …
Persistent link: https://www.econbiz.de/10014222625