Music, movies, meanings, and markets : cinemajazzamatazz

1. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- 2. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- 3. The cinemusical role of 'My funny Valentine' in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- 4. Pete Kelly's blues (1955) -- 5. The Cotton Club (1984) -- 6. Kansas City (1996) -- 7. Young man with a horn (1950) -- 8. Paris blues (1961) -- 9. Mo' better blues (1990) -- 10. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's. De Niro -- 11. Art and Heart beat (1980) : stars fell on Algolagnia -- 12. Brando loyalty and The score (2001) : how do you keep the music paying? -- 13. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- 14. Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- 15. When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- 16. A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no.